ZOM-B

The ZOM-B blog - covering the pop culture invasion of the living dead with info, news and reviews of zombie movies, TV shows, books, comics and games.

Filtering by Tag: Kyle Charles

New In Comics: '68: Bad Sign

New this week as a one-shot from Image Comics is '68: Bad Sign.

"In December of 1968, a violent, random serial killer launched a spree of terror on the San Francisco area. On February 13th...the living dead rose and turned the entire world into a slaughterhouse. Now, hidden away in a derelict warehouse deep in the butchertown district, a human monster continues his bloody work, taunting the few remaining cops and hunting humans without fear in a city of the damned."

'68: Bad Sign was written by Mark Kidwell, illustrated by Richard Bonk and Jay Fotos, with a cover by Nat Jones, Kyle Charles, and Jay Fotos, and a variant cover by Richard Bonk and Jay Fotos.

Variant cover:

New In Comics: '68: Homefront #4

New this week from Image Comics is '68: Homefront #4.

"Trapped in a snow bound cabin somewhere outside Black Falls, Canada, a group of terrified survivors must battle more than the blizzard outside to keep their pulses. A maniacal, gun-toting mountain man, an undead Mountie, and a mob of shambling, rotting, reanimated corpses all want inside. As Vietnam-era draft cards burn, horror mounts...and blood will stain the snow."

'68: Homefront #4 was written by Mark Kidwell, and illustrated by Kyle Charles and Jay Fotos, with a cover by Nat Jones, and variant cover by Christopher Shy.

Variant cover:

New In Comics: '68: Homefront #3

New this week from Image Comics is '68: Homefront #3.

"The winter snows run red and the northern lights shine on the dead as ’68: HOMEFRONT travels to Black Falls, Canada for the opening chapter of the all-new two-issue story arc “DODGERS.” Doug and Bobby Hacker, twin teenagers running from the draft, running from the specter of death in Vietnam, find more than they bargained for as slavering sled dogs, rotting Mounties, and a vicious, desperate mountain man bring the undead contagion to the frozen north."

'68: Homefront #3 was written by Mark Kidwell, and illustrated by Kyle Charles and Jay Fotos, with a cover by Nat Jones, and variant cover by John Gallagher.

Variant cover:

New In Comics: '68: Homefront #2

New this week from Image Comics is '68: Homefront #2.

"Horror haunts the heartland in this action-packed conclusion to the '68: PEECE AND LOVE story arc. Harbinger, Pennsylvania, home of the Heralds, transforms from peaceful American small town to undead slaughterhouse as a pep rally becomes a battleground, a family doctor stands guard over his personal gateway to hell, and a teenage couple fights for love and each other amongst monsters both supernatural and all too human."

'68: Homefront #2 was written by Mark Kidwell, and illustrated by Jay Fotos and Kyle Charles, with a cover by Nat Jones and Jay Fotos, and variant cover by Kyle Charles and Jay Fotos.

Variant cover:

New In Comics: '68: Homefront #1

New this week from Image Comics is '68: Homefront #1.

"In 1968, the horrors of the Vietnam war invaded every American living room. On February 13th of that year, a new war began, bringing horror...and hunger home to stay. '68: HOMEFRONT returns the series to the American heartland and the small, sleepy town of Harbinger, Pennsylvania (home of the Heralds) in the first two-issue story arc, "'68: PEECE AND LOVE." Fresh accident victims sit up on morticians' slabs, a busload of visiting athletes rises from wet red asphalt to become an army of the damned, and Jenny Love--homecoming queen, cheerleader, and girl next door--prepares to reveal her deepest secret to the world. A secret in the form of leather-clad town bad boy, Johnny Love."

'68: Homefront #1 was written by Mark Kidwell, and illustrated by Jay Fotos and Kyle Charles, with a cover by Nat jones and Jay Fotos, and variant cover by Kidwell, Jones, and Fotos.

Variant cover:

All original content is copyright © 2010-2016 Michael Sajkowicz. All other content is owned by their respective rights holders and used respectfully and with appreciation in an editorial manner under fair use for the purposes of commentary, criticism and reporting.